Ah, nearly up-to-date at last with these 'best of...' anthologies for the sidebar!
This one could take a while, though. These few months seem to have been a particularly prolific - and a particularly rich - period for me. I am tempted to just say, "Go and read everything I posted in October 2009; it's all gold!" (And I start to worry that my quality of output has fallen off since then....)
I'm out of Beijing this week, and unlikely to have Internet access - so I hope my readers can keep themselves busy with this selection (while waiting patiently for my return, on or about the 1st March).
Pick of the Archives:
Favourite Posts, October-December 2009
My commentary on the irresistibly ludicrous (and strangely
camp) parade to celebrate the PRC's 60th anniversary (preceded by some observations on the extreme weather manipulation required in preparation for this,
here and
here).
My 'List of the Month' catalogues some of my unexpected private indulgences - that I cannot practice when anyone else is around!
One of my more serious posts: my view of the Chinese Communist Party and its approach to maintaining its power here.
A slightly more humorous - but possibly even more bitter - reflection on the 60 years of Communist rule in China.
An observation on the bizarrely mangled pronunciation which characterizes China's laughably bad English-language TV channel, CCTV9.
My experience of acting in a short Chinese video -
never again (
until the next time...).
A couple of important observations drawn from my long - if intermittent - career 'at the chalkface'.
A brief appreciation of the latest quirky creation of my artist friend
Wu Yuren (unjustly
imprisoned since the end of May last year, as a result of his activism).
San Francisco literary agent
Nathan Bransford's annual
competition for opening paragraphs of novels prompts me to ponder on what makes a good opening for a novel, and to dig out some examples from favourite novels that I've read; and also to invite my readers to submit their own
favourite opening chapters of novels in an ongoing 'collecting box'.
I fume (not for the first time!) about the vexing Chinese predilection for avoiding giving you bad news by.... ignoring you altogether.
A favourite anecdote from my time as a Latin teacher, and a superb poem on a Classical theme, Graham Hough's
Andromeda (long lost to me - rediscovered thanks to my wonderful blog-friend
JES).
Some gloomy observations on road safety (or, rather, the complete lack of it) in China.
My review of Tomas Alfredson's impressively
creepy vampire flick set in a Swedish small town kicked off an unexpectedly lively comment thread (which in turn provoked me to write extended follow-ups
here and
here, on the plausibility - and the population dynamics - of vampires, which led to
even more vigorous comment threads).
I 'celebrate' Halloween with twelve micro ghost stories (later brought up to the baker's dozen with this
wicked pun!).
I flaunt my Classical education again with this essay on the possible implications of rhaphanizo - a terrifying piece of Ancient Greek abuse.
A sketch of the first few chapters for a story about sniper duels; an idea I dallied with a dozen or so years ago, but which has long lain in neglect.
I thank Mr W.B. Yeats and his poem The Scholars for possibly saving me from a life of confinement in The Ivory Tower.
Amongst the many, many, many very bad 'academic' articles I have had to edit, this is possibly the worst ever.
How do they make it so brittle? And how do they get away with it, why does anyone buy it?? Unfathomable mysteries! (There's a companion piece - from my frantic phase of
moving house in this month - on the unstoppable accumulation of
Dust in a Chinese apartment.)
Less an appreciation of the lovely English actress, and more an excuse for some autobiographical anecdotes about the occasions I nearly met her - when she was a student at Oxford, and later, when I was a trainee lawyer. Ah, Cruel Fate....
I analyse why my
packing took so long (further elaborated
here).
Another of my utterly serious posts, commemorating the 15th anniversary of the appalling Karamay theatre fire, in which nearly 300 schoolchildren were killed. (I followed up with the text of a scathingly
satirical song which references the tragedy, by blind folk singer Zhou Yunpeng; there's
a video clip of him performing it posted over on
The Barstool.)
A recent lecture I attended on the interplay between Chinese and Western poetry leads me to post a fascinating rendition of a well-known piece by the great classical Chinese poet, Du Fu (Chinese original text added later in the comments); the fine English version is by an America academic, Frank Bidart - who speaks/reads no Chinese.
An anecdote of my father's about his National Service in Palestine in the 1940s illustrates the power of advertising - and especially the power of a good, cheesy slogan!
I am asked to translate a bon mot into Latin. It is hard, I tell you, hard.
Of course, it could only be from Flann O'Brien's masterful Keats & Chapman series! And yet another Classical reference!! (I attempted my own pastiche of O'Brien's genre
here.)
The '60s actress/singer is inducted into this series primarily because of her turn as Western saloon floozie Lily O'Lay in the Blake Edwards comedy The Great Race, performing the rambunctious showstopper He Shouldn't-a Hadn't-a Oughtn't-a Swang On Me - check out the video.
After only three weeks in the new apartment, I'm struggling to get used to its idiosyncrasies; but at least it teases a new poem out of me for the first time in.... many, many months.
My Christmas 'treat' for my readers this year is the terrifying opening sequence from Jeunet et Caro's dementedly Gothic fairytale
La cité des enfants perdus. (There was some rather more lighthearted seasonal fun with this post on
snowball fights.)
An anecdote about my first-ever Christmas in China.
My new digs are in a building owned by a Chinese classical musicians' guild; being surrounded by people practising music almost constantly arouses some guilt in me about my long neglect of my guitar, my harmonica, my paper-and-comb, my....
I describe the Chinese approach to 'networking', with the invaluable help of a cartoon diagram by the Chinese artist
Yang Liu.