Here we go with the first instalment of the review of my favourite films that I threatened yesterday.
Even here, within one narrow genre, I couldn't keep it down to less than 20! Across the whole spectrum of my film-watching, I imagine my 'best of....' list might run to a few hundred.
My Favourite Westerns
Stagecoach
(Dir. John Ford, 1939)
Destry Rides Again
(Dir. George Marshall, 1939)
Jesse James
(Dir. Henry King, 1939)
My Darling Clementine
(Dir. John Ford, 1946)
3 Godfathers
(Dir. John Ford, 1948)
She Wore A Yellow Ribbon
(Dir. John Ford, 1949)
Shane
(Dir. George Stevens, 1953)
The Searchers
(Dir. John Ford, 1956)
3.10 To Yuma
(Dir. Delmer Daves, 1957)
The Left-Handed Gun
(Dir. Arthur Penn, 1958)
Rio Bravo/El Dorado
(Dir. Howard Hawks, 1959, 1966)
[Hard to choose between them, since they are virtually identical. I think I have a sneaking preference for El Dorado - although I'm sure the purists, including Quentin Tarantino, would insist that the original must be considered the superior one - mainly because James Caan is a better actor in the 'kid' role than Ricky Nelson.]
The Magnificent Seven
(Dir. John Sturges, 1960)
One-Eyed Jacks
(Dir. Marlon Brando, 1961)
The Man Who Shot Liberty Valance
(Dir. John Ford, 1962)
For A Few Dollars More
(Dir. Sergio Leone, 1965)
[Much the best of the Dollars westerns, I think.]
Butch Cassidy and The Sundance Kid
(Dir. George Roy Hill, 1969)
True Grit
(Dir. Henry Hathaway, 1969)
McCabe & Mrs Miller
(Dir. Robert Altman, 1971)
The Great Northfield Minnesota Raid
(Dir. Philip Kaufman, 1972)
Pat Garrett & Billy The Kid
(Dir. Sam Peckinpah, 1973)
I found that - after some bonce-scratching - I was able to place almost every one of the directors (Delmer Daves, anyone??). And, even more amazingly, with a solitary exception, I got the chronological order exactly right (I had thought 3 Godfathers might be a little later because it's in colour).
If I had to choose just one, I think I'd have to plump for My Darling Clementine - the young Henry Fonda is superb in it, and the black & white photography is absolutely ravishing (it's one of those films where just looking at stills from it can enrapture you).
I daresay there are some controversial omissions: no High Noon (I love Coop and Grace Kelly, but I find the story just too melodramatic), no The Good, The Bad, and The Ugly or Once Upon A Time In The West (both too overblown for my taste), no The Wild Bunch (good, though basically similar in tone, but much inferior to, Pat Garrett), no Dances With Wolves (worthy but dull; and I'd like it better without Costner in it!), no Unforgiven (an intelligent 'demythologising' script, but rather plodding direction from Eastwood; I found that it didn't really hold up all that well on a recent re-watching).
There are several of the grittier, more 'realistic' westerns from the early '70s that I have fond but indistinct memories of - Dirty Little Billy, Soldier Blue, The Culpepper Cattle Co.; in most cases I've seen them only once, more than 30 years ago, and so am not confident they should be numbered among the greats. Amongst the later Eastwoods, I rather like Pale Rider; like, but not love. Of the more recent contributions to the genre, Ang Lee's Ride With The Devil is the only one I could think of that merited consideration for this list. I did also think about including The Long Riders, which is a decent Jesse James film from the '80s, but not as good, I think, as Northfield. I haven't yet seen the recent The Assassination Of Jesse James By The Coward Robert Ford, but I suspect that might make it into the list one day. However, I rather like the sense of completeness of this list as it is: those final few selections were pretty much "the last word" on the western genre, and I can't readily imagine anything surpassing them or having anything new to say.
Your comments, fellow film buffs?